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Tuckerization (or tuckerism) is the act of using a person's name (and sometimes other characteristics)[citation needed] in an original story as an in-joke. The term is derived from Wilson Tucker, a pioneering American science fiction writer, fan and fanzine editor, who made a practice of using his friends' names for minor characters in his stories. For example, Tucker named a character after Lee Hoffman in his novel The Long Loud Silence, and after Walt Willis in Wild Talent.
In most cases, tuckerization is used for "bit parts" (minor characters), an opportunity for the author to create an homage to a friend or respected colleague. However, an author sometimes attaches a friend's name, description, or identifiable characteristics to a major character, and in some novels, nearly all characters represent friends, colleagues, or prominent persons the author knows. When that happens, tuckerization can rise to the level of a roman à clef.


Mimesis (Ancient Greek: μίμησις (mīmēsis), from μιμεῖσθαι (mīmeisthai), "to imitate," from μῖμος (mimos), "imitator, actor") is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.
In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been re-interpreted many times since then.
Diegesis is a style of representation in fiction and is:
In diegesis the narrator tells the story. The narrator presents to the audience or the implied readers the actions, and perhaps thoughts, of the characters.

Brobdingnag is a fictional land in Jonathan Swift's satirical novel Gulliver's Travels occupied by giants. Lemuel Gulliver visits the land after the ship on which he is travelling is blown off course and he is separated from a party exploring the unknown land.
The adjective Brobdingnagian has come to describe anything of colossal size.

In Iain M. Banks' fictional Culture universe, an Orbital (sometimes also simply called an O or a small ring) is a purpose-built space habitat forming a massive ring (though much smaller than a ringworld) rotating to simulate gravity.
Its inhabitants, often numbering many billions, live on the inside of the ring, where continent-sized 'plates' have been shaped to provide all sorts of natural environments and climates, often with the aim of producing especially spectacular results.
An epistolary novel is a novel written as a series of documents. The usual form is letters, although diary entries, newspaper clippings and other documents are sometimes used. Recently, electronic "documents" such as recordings and radio, blogs, and e-mails have also come into use. The word epistolary comes from the Latin word epistola, meaning a letter.
The epistolary form can add greater realism to a story, because it mimics the workings of real life. It is thus able to demonstrate differing points of view without recourse to the device of an omniscient narrator.
In literature, the tritagonist is the third most important character of a narrative, after the protagonist and deuteragonist. In Ancient Greek drama, the tritagonist was the third member of the acting troupe.
As a character, a tritagonist may act as the instigator or cause of the sufferings of the protagonist. Despite being the least sympathetic character of the drama, he occasions the situations by which pity and sympathy for the protagonist are excited.A synanthrope (from ancient Greek σύν sýn "together, with" and ἄνθρωπος ánthrōpos "man") is an organism that evolve...